(1992)
(1991)

It is a constant training of sight, an attention to everything happens in the urban space investigated in a both political and physical view. The space becomes material to explore, shape, measure and upset, documenting itself in an amateur and analytical way.
The randomness of the meeting and the unconscious creative act of everyday life are integral part of our work, we share an ironic gaze analyzing discarded and omitted processes and objects.
This attitude became reinforced in the liveliness of minimal gestures, in the singularity of uncertain objects, into the idea of the unfinished, volatility and randomness, if not even into the meaninglessness.
The ephemeral and temporary side of our interventions is often presented in the form of anti-monumental and precarious situations, characterized by an ambiguous suspension between reality and artifice.
The smell of failure, the willingness to consider the mistake as an opportunity and the same attempt to give form to the absurdity of existence is what animates our artistic research.

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